For those whom Nature loves, the Story of Opal is an open book. They need no introduction to the journal of this Understanding Heart. But the world, which veils the spirit and callouses the instincts, makes curiosity for most people the criterion of interest. They demand facts and backgrounds, theories and explanations, and for them it seems worth while to set forth something of the child's story undisclosed by the diary, and to attempt to weave together some impressions of the author.

Last September, late one afternoon, Opal Whiteley came into the Atlantic's office, with a book which she had had printed in Los Angeles. It was not a promising errand, though it had brought her all the way from the Western coast, hoping to have published in regular fashion this volume, half fact, half fancy, of The Fairyland Around Us, the fairyland of beasts and blossoms, butterflies and birds.

The book was quaintly embellished with colored pictures, pasted in by hand, and bore a hundred marks of special loving care. Yet about it there seemed little at first sight to tempt a publisher. Indeed, she had offered her wares in vain to more than one publishing house; and as her dollars were growing very few, the disappointment was severe. But about Opal Whiteley herself there was something to attract the attention even of a man of business - something very young and eager and fluttering, like a bird in a thicket.

The talk went as follows:

" I am afraid we can't do anything with the book. But you must have had an interesting life. You have lived much in the wood&? "

"Yes, in lots of lumber-camps."

"How many?"

"Nineteen. At least, we moved nineteen times."

It was hard not to be interested now. One close question followed another regarding the surroundings of her girlhood. The answers were so detailed, so sharply remembered, that the next question was natural.

"If you remember like that, you must have kept a diary."

Her eyes opened wide. "Yes, always. I do still."

"Then it is not the book I want, but the diary."

She caught her breath. " It's destroyed. It's all torn up." Tears were in her eyes.

The guess was easy (what child whose doll is rent asunder throws away the sawdust?), but she looked amazed.

"Yes, I have kept everything. The pieces are all stored in Los Angeles."

We telegraphed for them, and they came, hundreds, thousands, one might almost say millions of them. Some few were large as a half-sheet of notepaper; more, scarce big enough to hold a letter of the alphabet. The paper was of all shades, sorts, and sizes: butchers' bags pressed and sliced in two, wrapping-paper, the backs of envelopes - anything and everything that could hold writing. The early years of the diary are printed in letters so close that, when the sheets are fitted, not another letter can be squeezed in. In later passages the characters are written with childish clumsiness, and later still one sees the gradually forming adult hand.

The labor of piecing the diary together may fairly be described as enormous. For nine months almost continuously the diarist has labored, piecing it together sheet by sheet, each page a kind of picture-puzzle, lettered, for frugality (the store was precious), on both sides of the paper.

The entire diary, of which this volume covers but the two opening years, must comprise a total of a quarter of a million words. Upwards of seventy thousand - all that is contained in this volume can be ascribed with more than reasonable definiteness to the end of Opal's sixth and to her seventh year. During all these months Opal Whiteley has been a frequent visitor in the Atlantic's office. With friendliness came confidence, and little by little, very gradually, an incident here, another there, her story came to be told. She was at first eager only for the future and for the opportunity to write and teach children of the world which she loved best. But as the thread of the diary was unraveled, she felt a growing interest in what her past had been, and in what lay behind her earliest recollections and the opening chapters of her printed record.

Her methods were nothing if not methodical. First, the framework of a sheet would be fitted and the outer edges squared. Here the adornment of borders in childish patterns, and the fortunate fact that the writer had employed a variety of colored crayons, using each color until it was exhausted, lent an unhoped-for aid. Then, odd sheets were fitted together; later, fragments of episodes. Whenever one was completed, it was typed by an assistant on a card, and in this way there came into being a card-system that would do credit to a scientific museum of modest proportions. Finally the cards were filed in sequence, the manuscript then typed off and printed just as at first written, with no change whatever other than omissions, the adoption of reasonable rules of capitalization (the manuscript for many years has nothing but capitals), and the addition of punctuation, of which the manuscript is entirely innocent. The spelling - with the exception of occasional characteristic examples of the diarist's individual style-has, in the reader's interest, been widely amended.

Opal Whiteley - so her story runs - was born about twenty-two years ago - where, we have no knowledge. Of her parents, whom she lost before her fifth year, she is sure of nothing except that they loved her, and that she loved them with a tenacity of affection as strong now as at the time of parting. To recall what manner of people they were, no physical proof remains except, perhaps, two precious little copybooks, which held their photographs and wherein her mother and father had set down things which they wished their little daughter to learn, both of the world about her and of that older world of legend and history, with which the diarist shows such capricious and entertaining familiarity. These books, for reasons beyond her knowledge, were taken away from Opal when she was about twelve years of age, and have never been returned, although there is ground for believing that they are still in existence.

Other curious clues to the identity of her father and mother come from the child's frequent use of French expressions, and sometimes of longer passages in French, and from her ready use of scientific terms. it is, perhaps, a fair inference that her father was a naturalist by profession or native taste, and that either he or her mother was French by birth or by education.

After her parents' death) there is an interlude in Opal's recollection which she does not understand, remembering only that for a brief season the sweet tradition of her mother's care was carried on by an older woman, possibly a governess, from whom, within a year, she was taken and, after recovering from a serious illness, given to the wife of an Oregon lumberman, lately parted from her first child, - Opal Whiteley, whose place and name, for reasons quite unknown, were given to the present Opal.

From some time in her sixth year to the present, her diary has continued without serious interruption; and from the successive chapters we shall see that her life, apart from the gay tranquillity of her spirit, was not a happy one. Her friends were the animals and everything that flies or swims; her single confidant was her diary, to which she confided every trouble and every satisfaction.

When Opal was over twelve years old, a foster-sister in a tragic fit of childish temper, unearthed the hiding-place of the diary and tore it into a myriad of fragments. The work of years seemed destroyed, but Opal, who had treasured its understanding pages, picked up the pitiful scraps and stored them in a secret box. There they lay undisturbed for many years.

Such in briefest outline is the story Opal told; and month after month, while chapters of the diary were appearing in the Atlantic, snatches of the same history, together with descriptions of many unrecorded episodes, came in the editor's mail; and though the weaving is of very different texture, the pattern is unmistakably the pattern of the diary. Dates and names, peregrinations and marriages, births, deaths, and adventures less solemn and less apt to be accurately recollected, occurred just as the diary tells them. The existence of the diary itself was well remembered, though for many years Opal had never spoken of it; a friend recalled the calamitous day when the abundant chronicle of six years was destroyed; and a cloud of witnesses bore testimony to the multitudinous family of pets, and some even to the multicolored names they bore.

There were many letters besides, which came not to the Atlantic at all, but were part of Opal's own correspondence with people "of understanding," members by instinct of that free-masonry which, as she learned long ago, binds folk of answering hearts and minds. Many of these letters (which rest for safety in the Atlantic's treasury) are messages of thanks for copies of that first book of Opal's engaging letters, very personal most of them, bearing signatures to delight the eyes of collectors of autographs: M. Clemenceau, M. Poincare, Lord Rayleigh, Lord Curzon, members of the French cabinet, scientists, men of letters, men of achievement. Opal has sought her friends all through the world; but her lantern is bright and she has found them. Her old Oregon teachers also have been quick to bear witness to her talents, and to recall the formal lessons which often she would not remember, and the other more necessary lessons which she could not forget. They would ask too whence came the French which they had never taught her. An attempt to answer that would take us far afield. All we need do here is to recall that first time, when Opal, full of puzzlement over letters that simply would not shape themselves into familiar phrases, turned to her editors and was told that they were French.

"But they can't be French! I never studied French." But French they are, nevertheless.

If the story of Opal were written by another hand than her own, the central theme of it would be faith. No matter how doubtful the enterprise, the issue she always holds as certain, simply because the world is good and God loves his children. Loving herself all created things, from her barrel-full of caterpillars, whose evolution she would note and chronicle from day to day, to the dogs and horses, squirrels, raccoons, and bats which peopled the world she lived in, she would thank God daily for them, and very early in her life determined to devote the rest of it to spreading knowledge of them and of their kind far and wide among little children.

To accomplish this, needed education, and an education she would have. Those about her showed no interest; but by picking berries, washing, and work of all rough sorts, Opal paid for the books which the high school required. But she must do more than this. She must go to college. To the State University she went, counting it nothing that she should live in a room without furniture other than a two-dollar cot, and two coats for blankets. Family conditions, however, made college impossible for her. After the illness and death of Mrs. Whiteley, Opal borrowed a little money from friends in Cottage Grove, Oregon, and started alone for Los Angeles, determined to seek her livelihood by giving nature lessons to classes of children.

The privations and disappointments of the next two years would make an heroic tale; but she persevered, and her classes became successful. The next step was her nature book, for which, by personal canvass for subscriptions, she raised not less than the prodigious sum of $9400. But the printers with a girl for a client, demanded more and still more money, and when the final $600 necessary to make the booty mount to $10,000 was not forthcoming, with a brutality that would do credit to a Thenardier, first threatened, and then destroyed the plates.

A struggle for mere existence followed, but gradually Opal triumphed, when she was overtaken by a serious illness and taken to the hospital. New and merciful friends, such as are always conjured up by such a life as Opal's, came to her assistance, and after her recovery she soon started eastward, to find a publisher for her ill-fated volume. The rest we know.

Yet, after all, our theme should not be Opal, but Opal's ook. She is the child of curious and interesting circumstance, but of circumstance her journal is altogether independent. The authorship does not matter, nor the life from which it came. There the book is. Nothing else is like it, nor apt to be. If there is alchemy in Nature, it is in children's hearts the unspoiled treasure lies, and for that room of the treasure-house, the Story of Opal offers a tiny golden key.

ELLERY SEDGWICK
The Atlantic Office, June, 1920